Related Papers
Weiss 2017 Rangda and Durga in Bali
Sarah Weiss
This article examines Rangda and her role as a chthonic and mythological figure in Bali, particularly the way in which Rangda’s identity has intertwined with that of the Hindu goddess Durga—slayer of buffalo demons and other creatures that cannot be bested by Shiva or other male Hindugods. Images and stories about Durga in Bali are significantly different from those found in Hindu contexts in India. Although she retains the strong-willed independence and decision-making capabilities prominently associated with Durga in India, in Bali the goddess Durga is primarily associated with violent and negative attributes as well as looks and behaviours that are more usually associated with Kali in India. The reconstruction of Durga in Bali, in particular the integration of Durga with the figure of the witch Rangda, reflects the local importance of the dynamic relationship between good and bad, positive and negative forces in Bali. I suggest that Balinese representations of Rangda and Durga reveal a flux and transformation between good and evil, not simply one side of a balanced binary opposition. Transformation—here defined as the persistent movement between ritual purity and impurity—is a key element in the localization of the goddess Durga in Bali.
Vidyottama Sanatana: International Journal of Hindu Science and Religious Studies
Mysticism Of Barong And Rangda In Hindu Religion
2019 •
Susilo Edi Purwanto
Journal of Urban Society's Arts
Adaptation and Representation of Narcissistic Desires of Calon Arang's Text in Bali
Koes Yuliadi
Rangda and Barong appear a lot in performing art, paintings, and tattoos in Bali. The sacred rituals involving the two creatures always attract attention—likewise forms of performances and crafts for tourists. Historically the existence of Rangda and Barong started from the text of Calon Arang, which initially came from the island of Java in Indonesia. This fact shows how the Balinese people attach themselves to myths and then develop them in creative works. The relationship between the narrative text and visualization will be the material to see what desires are behind their consciousness and unconsciousness in understanding the Calon Arang. There is an antagonistic offer on the characterizations and the creative process that perceives Calon Arang's story. The process of studying the object uses a qualitative method. In a time, observe and be directly involved in the Rangda and Barong ceremonies, see these figures' performances, visit markets and art galleries, and int...
Calon Arang Karya Pramoedya Ananta Toer dan Janda dari Jirah Karya co*k Sawitri : Kajian Intertekstual dan Postkolonial
Laga Adhi Dharma
Tulisan ini akan mencoba menelaah bagaimana relasi kekuasaan Jawa dan Luar Jawa yang terdapat dalam Cerita Calon Arang Karya Pramoedya Ananta Toer dan Janda dari Jirah Karya co*k Sawitri. Melalui konsep Jawa sebagai pusat (superior) dan “yang lain” adalah pinggirannya (inferior), mengakibatkan munculnya persepsi dari beberapa wilayah bahwa Jawa dicitrakan sebagai ”bangsa” yang layak diwaspadai dan dipinggirkan karena kekuasaan Jawa menjadi sangat dominan. Jawa menjadi ancaman potensial yang harus dilawan meskipun hanya pada tataran wacana. Teori yang digunakan dalam tulisan ini mengunakan teori intertekstual untuk melakukan perbandingan Calon Arang berdasarkan teks hipogram dan transformasinya, serta melihat dengan kacamata postkolonial untuk menguraikan hasil interteks yang telah dilakukan. Dari analisis yang dilakukan terjadi tiga proses inferiorisasi, yaitu : politik, sosial keagamaan dan gender. Proses tersebut melahirkan resistensi, baik bersifat radikal atau mimikri. Kata Kunci: Calon Arang, Jawa sebagai pusat, inferiorisasi, resistensi
Gadamerian Hermeneutics in an Artistic Process of Bedoyo-Legong Calonarang
2018 •
Riana D . Sitharesmi
It is important to rethink Indonesian dance creation within postmodern aesthetics, from which dance maker tends to present the forms of fusion in pursuing the “newness”. Encouraged by dialectic of Hans-Georg Gadamer, I believed that such specific manner is required to choreograph sufficient fusion forms in terms of Indonesian plurality. This research is to investigate the hermeneutic dimension of “Bedoyo-Legong Calonarang” as a dance piece that brings Javanese and Balinese classical idioms into Indonesia contemporary. I use the core motion of his hermeneutics to apply interpretative, holistic observation, and heuristics as well as philosophical qualitative method. Through identifying dialectical aspects in the conceptual sphere of artistic process and presentation of the dance, the result showed its merit to accommodate inter-subjective understanding in revitalizing traditional values.
Bedoyo-Legong Calonarang Karya Retno Maruti dan Bulantrisna Djelantik dalam Perspektif Hermeneutika Hans-Georg Gadamer Relevansinya dengan Estetika Seni Pascamodern
2018 •
Riana D . Sitharesmi
Penokohan Rangda Dalam Novel Galau Putri Calon Arang Dan Janda Dari Jirah
2020 •
Abimardha Kurniawan
In the middle of 2000iest, there are two novels published that transformed from the famous Calon Arang narrative. They are Galau Putri Calon Arang (Syahrani and Yulyana, 2005) and Janda dari Jirah (Sawitri, 2007). Each work present the characterization of Rangda in different ways. The characterization aspects took as focuses in this article are (1) the character name of Rangda and (2) her genealogy. Through the comparative approach, also using the intertextuality principle, there are known that GPCA has still following the main tradition on its characterization, even it emphasizes that Rangda has a maternal relationship with Airlangga. On the contrary, JDJ gives a fresh interpretation. It stands for the massive tradition antithesis.
Pengetahuan Budaya dalam Khazanah Wabah
224 | Śūnyamārga: Jalan Sunyi di Tengah Pandemi
2020 •
Zakariya Pamuji Aminullah
Journal of Language and Literature
The Translation of Politeness Strategies Associated with Power Relation in Pramoedya’s Cerita Calon Arang and the King, the Priest and the Witch
Deta Darta
Humanis
Analisis Intertekstual antara Prosa Lirik Calon Arang: Kisah Perempuan Korban Patriarki dan Novel Janda dari Jirah
2019 •
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